Annual 2019-2020 Class Schedule
Course # | Course Title | Fall | Winter | Spring |
---|---|---|---|---|
Language Courses | ||||
101-1-21 | Beginning German | Cao MTWF 11-11:50 | ||
101-1-21 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-1-22 | Beginning German | Paluch MTWF 1-1:50 | ||
101-1-22 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-1-23 | Beginning German | Bullerman MTWF 2-2:50 | ||
101-1-23 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-1-25 | Beginning German | Paluch MTThF 4-4:50 | ||
101-1-25 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-1-26 | Beginning German | Paluch MTThF 4-4:50 | ||
101-1-26 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-2-20 | Beginning German | Meuser MTWF 9-9:50 | ||
101-2-20 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-2-21 | Beginning German | Cao MTWF 11-11:50 | ||
101-2-21 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-2-22 | Beginning German | Meuser MTWF 1-1:50 | ||
101-2-22 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-2-23 | Beginning German | Paluch MTWF 2-2:50 | ||
101-2-23 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-2-24 | Beginning German | Zeller MTWF 3-3:50 | ||
101-2-24 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-2-28 | Beginning German | Paluch MTTHF 3-3:50 | ||
101-2-28 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-3-20 | Beginning German | Meuser MTWF 9-9:50 | ||
101-3-20 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-3-21 | Beginning German | Cao MTWF 11-11:50 | ||
101-3-21 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-3-22 | Beginning German | Zeller MTWF 1-1:50 | ||
101-3-22 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-3-23 | Beginning German | Meuser MTWF 2-2:50 | ||
101-3-23 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-3-29 | Beginning German | Paluch MTThF 4-4:50 | ||
101-3-29 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-3-30 | Beginning German | Ryder MTWF 12-12:50 | ||
101-3-30 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
102-1-20 | Intermediate German | Zeller MTWF 9-9:50 | ||
102-1-20 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
102-1-21 | Intermediate German | Kerlova MTWF 10-10:50 | ||
102-1-21 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
102-1-22 | Intermediate German | Ryder MTWF 12-12:50 | ||
102-1-22 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
102-1-23 | Intermediate German | Ryder MTWF 1-1:50 | ||
102-1-23 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
102-2-21 | Beginning German | Kerlova MTWF 10-10:50 | ||
102-2-21 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
102-2-22 | Intermediate German | Ryder MTWF 12-12:50 | ||
102-2-22 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
102-2-23 | Intermediate German | Ryder MTWF 1-1:50 | ||
102-2-23 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
102-3-21 | Intermediate German | Kerlova MTWF 1-1:50 | ||
102-3-21 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
102-3-22 | Intermediate German | Kerlova MTWF 11-11:50 | ||
102-3-22 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
Courses Taught in English | ||||
104-6 | First-Year Seminar; The Nazi Olympics | Paluch MWF 9-9:50 | Helmer TTH 9:30-10:50 | |
104-6 First-Year Seminar; The Nazi OlympicsThis course explores the Nazi Olympics, held in Berlin 1936, in relation to religion, race, and politics. We show how the Nazi Olympics appropriated themes from the ancient Olympics in Greece in order to create a new religious, aesthetic, and political ethos. We also look at the legacy of politics in the Olympics of Mexico City in 1968, with a focus on Black activism in contemporary sports. | ||||
224-0 | Contemporary Germany | Behrs T TH 9:30-10:50 | ||
224-0 Contemporary GermanyCourses under this rubric focus on the German political, social, and cultural scene after 1945. Topics vary and may include: Political Extremism in West Germany, a seminar which traces the history of political terrorism in post-war German society and also tries to locate it within a larger framework of militant protests throughout Europe and the world. Particular attention will be given to the actions of the infamous Red Army Faction (RAF), which also left its mark in German popular culture. While the RAF and other left-wing groups of the 1960s and 1970s are the main focus of the class, we will also talk about the disquieting phenomenon of right-wing terrorism, currently a much-discussed topic in Germany because of the ongoing revelations about the National Socialist Underground (NSU). Please consult Caesar for current topic. German 224 may be repeated for credit with different topics. | ||||
228-0 | The German Film | Behrs MWF 12-12:50 | ||
228-0 The German FilmCourses under this rubric offer in-depth study of German films and their cultural background. Topics vary and may include: Cinema and the City, a course which will draw on a wide range of classic and lesser-known films from the Weimar period onward. Students will be introduced to major German cities and analyze both how space and social relationships are imagined in the German metropolis and in terms of the relationship between a German and an “extra-territorial” city. How does urban space influence how one thinks about forms of national, gendered, ethnic, sexual, and class identity? How does the perception of social relations in the urban space and in cinematic form organize the view of political and social networks? Approaches to these questions will include: formal and aesthetic analysis, examinations of the historical background and cultural specifics of both the films and the cities under consideration, and the close reading and interpretation of a brief selection of classical texts on modernity, mass society, production and reception histories, and theories of space. Please consult Caesar for current topic. German 228 may be repeated for credit with different topics. | ||||
244-0 | Analyzing Freud | Weitzman MWF 1-1:50 | ||
244-0 Analyzing FreudThis class examines the life and work of the groundbreaking Viennese psychologist Sigmund Freud from a comparative and interdisciplinary angle. Long after his death, Freud’s legacy continues to be controversial: some claim that his theories are no longer relevant in the light of new research, whereas others defend his theories and/or expand upon the implications and influence of his ideas, in the realm not only of psychology, medicine, and neuroscience, but also in the fields of sociology, cultural studies, philosophy, literary studies, criminal justice, queer studies, gender’s studies, and many more. What is certain, however, is that Freud’s work—and the image of his life—have marked the modern world. This class will read fundamental texts from Freud’s body of work in dialogue with texts by Freud’s near and distant predecessors and followers, both to situate Freud in his historical and cultural context, and to think through the many different kinds of questions that Freud’s work addresses. | ||||
272-0 | Luther and the West | Helmer TTH 3:30-4:50 | ||
272-0 Luther and the WestOctober 31, 2017 marked the 500th anniversary of the Protestant Reformation. This anniversary commemorated the day the German monk Martin Luther is said to have posted his 95 Theses on the church door in Wittenberg, Germany. The results of Luther’s ideas and actions cannot be understated. His teachings led to an ongoing division between Roman Catholic and Protestant forms of Christianity and inaugurated a “modern” turn towards rationalism, secularism, and individualism. This course probes the lasting significance of Luther’s life and thought in the modern West. Two questions will guide the course. First, how did Luther shape the cultural, political, and social questions and issues in the West since the 16th century? And, second, what is Luther’s ongoing relevance in the West today? | ||||
322-0 | German Contributions to World Literature | Weber MW 9:30-10:50 | ||
322-0 German Contributions to World LiteratureCourses taught under this heading are oriented to the origin and consequences of major works of modern German literature. Topics may include: Nietzsche’s Will to Power as Eternal Return, a course that will illuminate the three different directions of Nietzsche’s thought – language, eternal return, will to power, by focusing on their mutual interdependence, and above all, on the way his practice of writing provides the indispensable context for understanding the concepts it articulates. The literary dimension of Nietzsche’s writing – evident in Thus Spoke Zarathustra, but prevalent throughout – consists in the priority of the “how” of his writing over the “what” of its “content.” Readings and discussions in class will center around a brief résumé of Nietzsche’s conception of language and rhetoric; a discussion of his conception of “eternal return”; and an interpretation of his efforts to think what he calls “the will to power”. Please consult Caesar for current topic. German 322 may be repeated for credit with different topics. | ||||
326-0 | German Cultural Studies - Music Under the Totalitarian State | Helmer M 3:00-5:50 | Rosenberg TTh 12:30-1:50 | |
326-0 German Cultural Studies - Music Under the Totalitarian StateCourses taught under this heading explore key concepts, major figures, and cultural and literary themes in German studies and interdisciplinary fields such as political science, media studies, music, and art. Topics may include: Racism in modern Germany, a seminar that explores the ways in which the contested category of race has shaped modern German history. While considerations of race in Germany generally focus on Nazism and the Holocaust, the aim of this course is to situate racial categories like ‘Aryan’ and ‘Jew’ within a longer and contextual narrative. The course will examine German relationships with and fantasies of Africans, Jews, Slavs, Turks, Gypsies, Aryans and the many other categories of peoples who shaped modern Germany. While the seminar itself focuses on German history, the course is intended to raise larger questions about the roles of race and racism in the modern world at large. Please consult Caesar for current topic. German 326 may be repeated for credit with different topics. | ||||
346-0 | Topics in German Literature and Culture | Weber MW 9:30-10:50 | ||
346-0 Topics in German Literature and CultureCourses under this heading examine at an advanced level selected topics in German literature and/or pivotal periods in German culture. Topics may include: On Historical Epistemology, a class on the theory and history of the modern sciences, with an emphasis on the emergence of a new science called “biology” in the nineteenth century. The organizing thread for this class will be the contribution that different streams of twentieth-century philosophy of science made to the process of discovery and justification of knowledge. Please consult Caesar for current topic. German 346 may be repeated for credit with different topics. | ||||
401-0 | German Literature and Critical Thought, 1750-1832 (1) | Kreienbrock M 2-4:50 | ||
401-0 German Literature and Critical Thought, 1750-1832 (1)This course begins with the formative aesthetic discussions undertaken by Lessing and Mendelssohn, turns to Kant’s program for critical self-reflection, and considers a wide range of responses, including those of Schiller, the early romantics, Kleist, Hölderlin, and Goethe. | ||||
402-0 | German Literature and Critical Thought, 1832-1900 | Kreienbrock M 2-4:50 | ||
402-0 German Literature and Critical Thought, 1832-1900Thematic approach to key texts of 19th century German literature between Goethe and Gottfried Keller, tragedy and the Bildungsroman. Literary and philosophical texts are read side by side in order to interrogate traditional concepts of realism, mimesis, and interpretation. | ||||
407-0 | Proseminar (1) | Weitzman W 3-5:50 | ||
407-0 Proseminar (1)Spring quarter writing workshops in which students complete a research-level paper in conjunction with work in others courses. | ||||
441-0 | Studies in Communication and Culture | Susannah Gottlieb W 2-4:50 | Weber W 2-4:50 | |
441-0 Studies in Communication and Culture | ||||
CANCELLED 441-0 | Studies in Communication and Culture | Loick - CANCELLED T 2-4:50 | ||
CANCELLED 441-0 Studies in Communication and Culture | ||||
Courses Taught in German | ||||
115-0 | Intensive Beginning German through Musical Journeys in Vienna | Zeller MWF 11-11:50 | ||
115-0 Intensive Beginning German through Musical Journeys in ViennaThe fascinating musical and cultural history of the metropolis Vienna serves as the basis for this | ||||
201-0 | Focus Reading | Meuser MWF 1-1:50 | ||
201-0 Focus ReadingThis course is for students in intermediate German who would like to improve basic reading skills by exploring vital German cultural texts in depth. There are two versions of the course. In Brothers Grimm students will be exposed to versions of the Kinder- und Hausmärchen collected by the brothers Grimm and adaptations by later authors. These texts will be used to investigate the culture and values of the period and will also examine the historical framework, which led to the collection of these tales and a development of the genre. In Tension in the Modern Age: 20th Century Women of the Arts examines the explosion of art and industry at the turn of the century that for the first time included substantial opportunities for women. Through short historical texts, biographies, letters and journals, students will learn about social issues, art movements and the German politics of the period that included Bismarck, colonies and war. | ||||
203-0 | Focus Speaking | Meuser MWF 10-10:50 | ||
203-0 Focus SpeakingThis course is designed to enhance the aural/oral skills by training students in listening comprehension and speaking. Vocabulary and idioms employed in everyday conversational German will be introduced and practiced in communicative activities such as role-playing, listening to and creating podcasts in German and small group discussions. New cultural concepts will be introduced through multimedia presentations and German podcasts. A final project will involve the creation of a short podcast in German by the students. Prerequisite in German: German 102-2. (This course will not count for the language requirement as it may be taken concurrently with 102-3.) | ||||
205-0 | Focus Writing | Zeller MWF 11-11:50 | ||
205-0 Focus WritingThis course is designed especially for students who wish to improve their writing skills in order to become independent, confident and proficient writers of German. The thematic basis for the course is the city of Berlin and the personalities, places, historical events, cultural trends, and visions that have shaped it during the 20th and are shaping it during the 21st Century. Course materials will include current texts from newspapers and magazines, fictional works by German-speaking authors, as well as feature films, episodes of a German telenovela, music, and videos. Students will learn to analyze and to produce portraits of people and places, narratives, and film reviews. Grammar topics relevant for each unit will be reviewed thoroughly and integrated in context. Prerequisite in German: German 102-3. | ||||
209-0 | German in the Business World | Ryder MWF 10-10:50 | ||
209-0 German in the Business WorldIn this course, students will acquire basic business-related German language skills and attain a cross-cultural perspective on German and American business practices. The emphasis will be on communicative situations such as oral and written social interactions with customers, sales dialogues, business travel, basic formats of business letters and internship applications. The course is taught entirely in German and emphasizes developing cultural knowledge and German language skills to prepare students for basic professional activities in and with German-speaking countries. Prerequisite in German: One 200-level course in German or permission of the DUS. | ||||
211-0 | German Culture Through Film | Zeller MWF 11-11:50 | ||
211-0 German Culture Through FilmThis course is an introduction to German culture through the lens of German film. Students will be exposed to aspects of German history, society, politics, and aesthetic movements by analyzing nine significant German films made between 1920 and 2015. By studying selected elements of film, including genre, contexts, actors, directors, production and reception, film history, in addition to central thematic and formal elements of film, students will also learn the basics of film analysis. This course is taught entirely in German and emphasizes developing cultural knowledge and German language skills. Prerequisite in German: One 200-level course in German or permission of the DUS. This course counts for Distribution Area VI. | ||||
221-2 | Introduction to Literature: 1900-1945 | Behrs TTh 2-3:20 | ||
221-2 Introduction to Literature: 1900-1945This course, designed for majors and non-majors, introduces students to the historical dimension of a literary era, the first half of the 20th century marked by a)the demise of the German Empire in the course of the First World War, b) a short-lived democratic experiment, the Weimar Republic (1918-1933), and c) the Rise and Fall of the “Third Reich.” Furthermore, the course is to improve the students’ writing skills in terms of style and expression by way of three shorter essays. A secondary, yet strong emphasis is on making the students able and comfortable to conduct a discussion on fairly sophisticated issues in German. By keeping the number of students in the class relatively small, there will be ample opportunity to practice the close reading of literary texts and the analysis of complex works of art in a foreign language. Prerequisite in German: One 200-level course in German or permission of the DUS. This course counts for Distribution Area VI. | ||||
221-3 | Introduction to Literature: 1945-today | Franziska Lys T TH 11-12:20 Kresge 2-325 | ||
221-3 Introduction to Literature: 1945-todayThis course, designed for majors and non-majors, introduces students to representative short stories by major German-speaking authors’ writing from 1945 through the present. The stories selected are representative of a dynamic period in German literature and highlight important social, political, and intellectual issues including questions of the recent German past and the representation of history; questions of individual versus collective guilt, questions of gender and sexuality, exile and alienation, the relationship of the individual to a modern technological society; and new themes and issues since the reunification of Germany. In addition, the course examines the genre of the short story, with attention to different modes and styles of writing. By keeping the number of students in the class relatively small, there will be ample opportunity to practice the close reading of literary texts and the analysis of complex works of art in a foreign language. Prerequisite in German: One 200-level course in German or permission of the DUS. This course counts for Distribution Area VI. | ||||
307-0 | German Media | Behrs T TH 11-12:20 | ||
307-0 German MediaThis course is concerned with how current political, socioeconomic, and cultural events in Germany and Europe are portrayed in German media (this includes print, TV, news broadcasts and social media). Current topics will be discussed such as for example how the presence of a far-right populist party in the parliament will alter the form of politic discourse in ways that are yet to be seen. The class will also include a discussion of journalistic differences among media sources. There will be ample room for students’ suggestions as well as for current events that are not yet foreseeable. The class aims to give students an overview of the German media landscape in general and answer the question which newspapers and TV channels are suited to fulfill the students’ information needs and what they can do to follow current developments in Germany. Prerequisite in German: Three 200-level courses in German or permission of the DUS. | ||||
309-1 | Advanced Business German: the German Economy | Ryder MWF 10-10:50 | ||
309-1 Advanced Business German: the German EconomyThis advanced business-German course will give students an overview of the German economy (Volkswirtschaft), its underlying structures, its current trends, and some of the problems the German economy faces. Students will become well versed in German economic topics, will learn about the differences between the German and American economic system, will gain familiarity with relevant German media that report on the German economy. Although this course is content-driven, student will also develop their language proficiency in the field of German business and commerce through study of business-specific vocabulary and through specific reading and writing tasks. This course is a companion course to German 309-2; both courses together will prepare students to work in international work environments. Prerequisite in German: Three 200-level courses in German or permission of the DUS. | ||||
309-2 | Advanced Business German: Marketing and Management | Ryder MWF 10-10:50 | ||
309-2 Advanced Business German: Marketing and ManagementThis advanced Business German course focuses on management and marketing practices in Germany (Betriebswirtschaft). In addition to acquiring a rich Business German vocabulary, students will also develop nuanced cross-cultural knowledge by encouraging students to think critically about cultural differences and how they relate to business practices. Topics to be discussed, among others, are German corporate structures and business culture, intercultural competence, marketing and advertising, career and everyday life. Important vocabulary and relevant grammar structures will be practiced throughout the class. The course prepares students to work in international work environments. This course is a companion course to German 309-1; both courses together will prepare students to work in international work environments. Prerequisite in German: Three 200-level courses in German or permission of the DUS. | ||||
327-0 | German Expressionism | Behrs TTh 12:30-1:50 | ||
327-0 German ExpressionismThis course will look at the rise and fall of German Expressionism in literature, visual art, and film from the late nineteenth century to the ascent of the Third Reich. We will discuss how the artistic innovations of Expressionism reflected distinctive political, philosophical, and social ideas and conditions of Germany in the years just before and in the wake of the First World War, looking closely at the aesthetics and poetics of this short-lived but influential movement. We will also consider certain themes and issues that Expressionist art particularly addressed, including: urbanization and cosmopolitanism; capitalism and inequality; war and trauma; portrayals of extreme states such as violence, ecstasy, and mental illness; sexuality, desire, and the representation of women; horror and the occult; the role of ethnic and cultural minorities and the appeal of the exotic. This course counts for Distribution Area VI. | ||||
337-0 | Science and Culture in Germany | Kreienbrock MWF 9-9:50 | ||
337-0 Science and Culture in GermanyGermany is often regarded as being at the forefront of European developments concerning issues such as climate change and recycling, transport and renewable energy sources. This class will trace the scientific, political, philosophical, and aesthetic history of Germany as a ‘green nation’ from the 18th century until today. What are the roots of the ideology of environmentalism as it is represented in concepts like environment, ecology, or sustainability, which were all invented or popularized by German scientists (von Uexküll, Haeckel, von Carlowitz)? The course will also examine recent developments in German environmental policies like the so-called “Energiewende” and the “Diesel-Skandal”. Prerequisite in German: Three 200-level courses in German (at least one in literature) or permission of the DUS. This course counts for Distribution Area IV and Area VI. | ||||
345-0 | Topics in German Literature and Culture | Weitzman TTh 12:30-1:50 | ||
345-0 Topics in German Literature and CultureThis course rubric applies to courses that represent an in-depth study of topics in German literature and/or pivotal periods in German culture. Topics in this rubric may include: Culture Theory, Culture Critique and Politics in Germany since 1918, a course will delve into the debate of culture theory and political and social history by first examining some representative authors in the discussion of “culture” in social and political theory in the German-speaking context after 1918. The second part of the course, will analyze some major perspectives of thinkers on the “cultural turn”, including Jan Assmann, Jürgen Habermas, and Niklas Luhmann. In order to understand the connection between culture theory and political and social history, the analyses will be embedded in readings on the relations between culture, society, and politics in the history of Germany after 1945. Please consult Caesar for current topic. Prerequisite in German: Three 200-level courses in German (at least one in literature) or permission of the DUS. This course counts for Distribution Area IV and Area VI. | ||||
398-0 | Undergraduate Seminar (1–3 units) | Behrs and Lys T TH 11-12:20 | Lys W 1-5 | |
398-0 Undergraduate Seminar (1–3 units)This is a course where students will do advanced work through supervised reading, research, and discussion. Topics in this rubric vary and may include special invitations for research seminars in connection with a week abroad in Germany. Please consult Caesar for current topic. Prerequisite in German: Three 200-level courses in German (at least one in literature) or permission of the DUS. This course counts for Distribution Area VI. | ||||